From First To Last – Throne To The Wolves
From First To Last is a post-core band based out of LA that formed about eleven years ago, and since, have been through many lineup changes. They now claim their roster to be permanent and have just recently signed to Rise Records. Although they have been on the scene for quite some time and have seen a generous amount of attention, the volatility of their lineup has dampened their rise to fame as it would any project that continuously sees that kind of disappointment. But not willing to give in, From First To Last have dusted themselves off and released another album, Throne To The Wolves, which I was very eager to hear.
These boys have definitely been around the block and know their way around a studio. The quality of the album is good and the song structure is spot-on. Their timing is solid and their melodies are engrossing. As a whole, this album embodies every element needed to create a great post-core album. I am, however, finding myself struggling to get into this record. I feel like they are right in my wheelhouse, but there is something unsettling about their musical process that is keeping me from really digging in.
These guys have a very punk-infused hardcore sound. Their opener, “Cashing Out”, has a very strong Story of the Year sound to it with the anthemic vocals and harmonies they incorporate into the song. However, in track two, “Chyeaaa!”, they lose that sound and give you a 45 second bloodbath of throaty, guttural screams and unrelenting guitar riffs (which I loved); but then they went right back to the punk rock sound.
As the album progresses, they get more emo and less hardcore, with the exception of track nine “M.O.” But don’t get me wrong, this isn’t a frou-frou emo record. They still offer up snippets of their hardcore influences sprinkled throughout, but they are fewer and farther between as the album moves along. Their sound is just hard to pinpoint – kind of a mixture of We Came As Romans meets Story of the Year with a hint of Alesana and a dash of Oh, Sleeper. All are good bands, but the recipe From First To Last are using just isn’t as ear-catching as I had hoped.
You kind of get whiplash throughout the album as they cycle through their punk, screamo and hardcore influences. Their sound is very indecisive; some might say gives it a uniqueness that will engage the listener, while others might insist it influences a sense of frustration from those who want more predictability and solidity in their music. Listen to track one, “Cashing Out”, and then listen to track nine, “M.O.”, and you will see what I’m talking about. It seems like two different styles of music.
So admittedly, I was on the fence with this album, and tracks ten and eleven really pushed me over. The use of auto-tune almost made my ears bleed. You hear this in a lot of the younger bands now where they are putting that auto-tune T-Pain sound to their vocals, but From First To Last isn’t a young band. Bands like Attack Attack have used this and it just drives me crazy. Please cease from using that terrible machine.
Aside from the last two songs, Throne To The Wolves wasn’t too bad. I can’t say I was able to dig in deep and become enthralled by their sound, but it wasn’t a terrible record by any means. I wish they would have went heavier a lot more often but that’s not my call. If you are into screamo and punk-core, you might find this to be a very likable record. Fans of Story of the Year and Alesana should find From First To Last to be their cup of tea, but if you are looking for a more seizure-inducing, punch-dancing bloodbath, this might not be the record for you. Either way, we should all support music and give these boys a listen because you never know…you just might like what you hear.





6 Comments
April 10th, 2010 at 11:29 pm
I liked some of their stuff when Sonny was involved (Dear Diary, My Teen Angst Has a Body Count). Since then I haven't listened to them much mainly because their lineup went through so many transitions. It's like putting a new set of tires on your car, only to run over a patch of nails in the road and having to start over.
[Reply to this comment]
maggiecat replied:
March 21st, 2011 at 4:07 pm
your soo right!!! sonny was the best with FFTL <3
and now i went to see sonny and he now a DJ
and mixxing and he doesnt look the same anymore so booo that now..
I honestly wish he was still with from first to last.
[Reply to this comment]
June 29th, 2010 at 10:08 am
You didnt like the last 2 songs? They were my favorites by far.
[Reply to this comment]
Nicole replied:
July 7th, 2010 at 5:33 pm
I LOVE Now That You're Gone. Like my second fave on the album. But the Auto-tune KILLS ME, mainly because I just can't sing along to it lmao. But I also really hate autotune. And A Soft War.. It's decent but pointless. Autotune is normally used to make a singer with a bad voice sound good, but since it is never used in any other songs, people already know Matt is capable of great vocals without it. So it's just pointless… But the rest of the album makes up for Soft War in my opinion
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January 9th, 2011 at 10:28 pm
you're a dumbass. how could you compare them to bands that came AFTER.
if anything those bands look up to fftl. as for the music, they incorporated
sounds. it's called innovation. look it up, memorize what it means. this album
is innovating. the best in its genre, and compared to others will gladly blow
them out of the water. Good also wrote was and is real in today's scene.
things new bands won't talk about because they're the ones doing all those
bullshit things. for a band that's been around for a while, they kick ass. they've
progressed. musically and lyrically this album cannot be touched and even more
so be compared to others. it stands alone because nobody wants to talk about how
generic the scene has gotten. it isn't even a scene, it's a commercial. Good is a
hero for standing up and saying what is true. "if growing up is giving in count on me
to count myself out" how can you say that's not a good lyric? it's got meaning.
[Reply to this comment]
joe replied:
March 1st, 2011 at 7:15 am
too true
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